

EXPLORING THE CINEMATIC HEMISPHERE FOR ORCHESTRA
Dec 14, 2024
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A Collaborative Research Project on 3D Microphone Array Techniques for Orchestral Recording
WE AIM TO:
Advance immersive sound recording techniques for orchestral music.
Bridge the gap between academia and the audio industry.
Share expert knowledge and high-quality immersive recording resources to support education and research.
Study perceptual differences across various recording techniques.
Inspire current and future sound engineers, composers and researchers to explore immersive audio.
WE PLAN TO:
Form a focus group of leading engineers and researchers specialising in immersive orchestral recording.
Compose an orchestral piece that incorporates a variety of musical styles, instrumentations, dynamics, and textures.
Record the piece simultaneously with different immersive arrays designed by the expert engineers at Lyndhurst Hall, AIR Studios in London.
Hold a listening and discussion session at the Dolby Soho screening room, involving both the focus group and additional participants.
Create an open-access database of the recordings to share with the public.
Publish the project outcomes in the AES Journal.
Present the outcomes with demonstrations at future events.
Follow the project on Instagram / Facebook / BlueSky to keep up to date, get access to the recording database and read about the results of the research.